Saturday, September 29, 2007

Teaching Tolernace: Why Teach Teach about Native Americans

  • Teaching Tolerance
Why teach about Native Americans,

There are a lot of Activity, have the classroom write about five words they believe best describe Native American

  1. What are key areas where Indian and non-Indian views differ?
  2. Some non-Indians say Hollywood movies have largely informed their perceptions of the Native Americans.
  3. What films have you seen that depict Native Americans?
  4. How are Indians portrayed?
  5. Are the films set in the past?
Have the students at the end of this write an essay about Native Americans, have them write it down in brush stroke style, have use the words, create images from this topic and create and vivid portrayal of the treatment and image of the Native American.

Monday, September 24, 2007

Image Grammar Use Grammatical Structures to Teach

The Writer as Artist Basic Strokes
Writing as Seeing
"When an author lacks a visual eye, his or her writing has no heart and soul: images lie lifeless cadavers in a morgue.For example, compare the following two images, the first written by a high school student, the second by well-known novelist Brian Jacques, Jaques writes with an artist's eye, using details and color to tease the reader's visual appetite; the high school student writes like a house painter, ignoring details and using color to simply cover the surface" p.2
A writer or author must see something in order to begin the visualiztion of the piece of writing in to start writing. The writer must able to see the whole picture and just see the point to enjoy what do and continue with that.
Painting with Five Basic Brush Strokes
Painting with Participles
"Five basic brush strokes 1.the particple 2. the absolute 3. the appostive 4. adjectives shifted out of order 5. action verbs
"For example, picture in your mind's eye, a nest of snakes curling around some prey. This image captures a little of what might be happening, but watch the effect when the writer adds a few participles(ing verbs) to the beginnig of the sentence: Hissing,slithering,and coiling, the diamond scaled snakes attracked their prey."
Describing the steps of the sounds it makes and continues the snake structure.
Painting with Absolutes
"Pause for a moment and ask students to visualize this one sentence description: The mountain climber edged along the cliff."
"Next, expalin that you are going to add a brush stroke, defined simply as noun combined with ing participle. Read the sentence: The mountain climber edged along the cliff, hands shaking, feet trembling."
By adding the noun make more complete and direct with the idea.
Painting with Appostives
" to add more details, writers frequently expand the appostive to an appostive phrase with added details such as "The racoon, a midnight scavenger who roams lake shorelines in search of food, enjoys turtle eggs."
by adding this step this the reader more detail of the writer's mind.
Painting with Adjective Shifted Out of Order
"Adjectives out of order, used more often by authors of fiction, amplify the details of an image. We have all seen students overload their descriptions with too many adjectives in sentences like "The large, red eyed, angry bull moose charged the intruder ."
By placeing adjectives in different order. This places the writer to be more creative and show the flexible of they writing.
Combining Strokes
"Once students have developed control of the five basic brush, they begin to combine them spontaneously in longer works. Eighth grader Adam Porter, for example, bleneded several techniques in this scene from his horror story, inspired by the close-up image of tarantula:
Then it crawled in. A spider, a repulsive, hairy creature, no bigger than a tarantula.
follwing the same path as the first
Hands trembling, sweat dripping from his face
trying to kill the spiders
Studnets will learn to write creative and be responsive right away and have feelings of accomphishment rather disappointment.

Saturday, September 22, 2007

Rough Draft Ideas for Indy Teach

My assigned reading for the Indy Teach is Writing Down The Bones by Natalie Goldberg,
The Main Ideas I got from skimming the novel, The Main Ideas of this book, that writing can be fun, with the ideas and creative push and the grammar and the other sentence structures will follow. A quote that I like is the begining, which reflects what I have in mind for the exerise and teacher session, "Garfield, the Muppets, Mickey Mouse, Star Wars. I use notebooks with funny covers. They come out fresh in September when school starts. They are a quarter more than the plain spirals, but I like them. I can't take myself too seriously when I open up a Peanuts notebook. It also helps me locate them more easily-"Oh, yes, that summer I wrote in the rodeo series notebook." Goldeberg p.6
The main idea is to teach the book as a guide to play with writing like somebody plays with clay or painting use it as a way of thinking "outside the box" of writing rather than grammar; colons, semicolons, and run-ons. In each chapter, very short chapters, she describes ways of writing in journals, these exersies are way to to give the class as a way for them to teach their students as a way to get the grammar at the end rather at the beginning to show the creative potential of the students rather then stunting at the first of the first of the year. I would the give the class a few instructions about how she says about to get started and have;
First Thoughts
Keep your hand moving
Dont cross out
Dont worry about spelling, punctuation, grammar
Lose control
Dont think, Dont get Logical
Go for the Jugalar
Have some of the students read they first thoughts see how what is put on the paper and see they are
The Main Questions
How the students' writing is more to write for the teacher rather write for themselves?
The steps of writing or the process one must go through the semester or school is more important then the output of langauge arts, grammar and phonetics, is equally important as well?
Activities
Have the students write for five minutes than share they rough ideas and get into groups of 2-3 have them again write they piece concerning the rules, use a pseudo-writing group where there are discussing their ideas, have go over them as someone would do in a writing group, and have that last about ten minutes and have for the final work to post it on their blog as the class did for the poem, "I am From"

Wednesday, September 19, 2007

Socratic Seminar Structure

Socratic Seminar Structure
The Seminar Structure
Speakers-Inner Circle
Observers Outer Circle
Open Chair to inivite
Preparee studnets to speak
Quiet is not bad, "Think Time"
Discussion flows from student-Student-led activites
Discussion should link to text
Not a debate
Respect important
Observation
What are the important ideas?
What questions are rasied
What ideas had you have?
Agree and Disagree
Essential Questions
Underline or put stars near the two main points you want to make in the fishbowl
I like this activity becasue allowed the students to voice their opinons. I got to know where are coming from this activity within a safe enviroment where we allowed to be yourself within boundaries. This also, allowed people to voice their opinons a matter to not monoply the discussion group.

Chapter 14 Unleashing Potential with Emerging Technologies

Sara B. Kajder writes in Adolescent Literacy I like these statements, I have written below,
p. "I firmly believe that valuing and seeing the ways in which kids are engaging with new technologies outside of school can teach us a great deal about possibilities in engaging them as readers and writers in our classrooms. For some of us, this might be a new concept; for me, it's been critical to my own professional growth and to my thinking during my recent work in local schools."
Ms. Kajder explains in that statement the recent advances in technologies blogs, websites, and my space, and facebook has created a larger community of students and people posting ideas and new ways of writing their ideas.
Reading and Writing Spaces Kids are Engaging in outside of School
1. weblogs
2. fanfiction
3. wikis
4. video games
5. digital video/digital storytelling
6. podcasts
7. MMORPGS (Massive multiplayer online role playing games)
8. social bookmarks
Students today a lot more advance in technology and have the advantage like no generation their create classroom discussion outside the classroom and discuss in the classroom once it is posted.
Class Blog
"My job as scribe is to share where we are but make sure that I do so with one eye on where we've been and one on where we're going" Some posts are written, but many others include images and video, opening up what counts as valued communication in the classroom and broadening the possibilities for how voices can contribute and be present.
The students have an open line communication with the teacher at all times.
Podcasting
"Through the use of iPod paired with an iTalk microphone set in the center of each circle, the relevance of students' work has been ratcheted up, as the audience is no longer just the members of the circle or the teacher in the moment she is able to grab while circulating
Asking the questions
1. What questions were left unresolved?
2. Which moments of the discussion were the most compelling?
3. What parts of the discussion might help convince a peer to read the text under discussion?
4. Where did the discussion fall apart or fail?
5. What are the key ideas emerging in your conversation about this text?
Looking more deeply
"in creating audio content, students are scriptwriting, writing questions to stimulate discussion(especially if the recording is capturing a live discussion that might involve participants outside the classroom),selecting appropriate venues for publishing their work, and responding to comments submitted by listeners. Here, learners evaluate what to say, consider options, and make choices. Learning rests on these risks."
To paraphrase the rest Students have the chance to record each others oral history these iPod and iTalk and have them edit and post them on their weblogs. It provides students with more of an "agency" or choice to the audience and learning engagement.

Chapter 16 The English Teacher's Red Pen: History of an Obession

From Chapter 16 "The implementation of the process model of writing most often founders on the rocks of evaluation; teachers who enthusiastically experiment with a wide variety of assorted pre-writing and revision activities balk when invited to try out a similarly broad selection of evaluation strategies. We English teachers to believe that there is really only one right way to evaluate student writing, and this profoundly self-limiting idea is the subject of the next few pages."
English teachers tend to use the red pen as the weapon of choice when grading essays and research papers. The trend the past was to use the red pen as a way to highlight the mistakes and voice comments of the teacher, now it seems to be barbaric to use a red pen to a student's self- esteem.
" As writing teachers we don't usually notice how obessed we are with evaluation. But others notice. To us it seems normal and responsible to spend twenty or thirty or forty hours a week of out-of-class time correcting kids' papers."
Teachers feel the need to correct a student's paper is needed to give them information to help them and able to find the mistakes in the paper with red to POINT out the incorrect grammar.
"Indeed, it is only in the mechanics or surface features of writing that perfection is unabashedly upheld as an appropriate goal for the evaluation of teenage students. We once heard a high school English teacher announce passionately in a workshop, "i'd rather have my students write one paper a year that's 100 percent perfect than have them write hundreds of papers that have errors in them."
I agree with that statement. The teacher rather have the students to write one paper with no errors rather than a bunch with errors that even the teacher does not have time to correct them.
"But when our evaluation efforts center obsessively, punitively, perfectionistically upon the mechanics of writing, we push meaning out of the center and enshrine correctness as the reason for writing. There's no surer way to make students treat writing like other pointless, arbitray school hurdles."
The focus is on just the grammar and the mechanics of writing the subject and the content of the essay and the student feels that can not get anything right.
p.211, " Obviously, students who discard their papers can never learn from whatever feedback they contain-and this common classroom event gives us a hint about why intensive marking of marking of papers is ineffective much of the time."
As a student in high school, when a paper came back with a lot of markings I just did not look at the paper much.
p.214, "In fact composition originated in American schools in the nineteenth century as a kind of fusion of four much older strands of curriculum: penmanship, spelling, grammar, and rhetoric. With the rise of industrialization and the rationalization of its attendant bureaucracies, it became much more important for many people to able to generate clear, effective, original documents and correspondence."
Back then, large importance was to get the information down and learn the craft of writing, clearly how to write, the detail orientated of how to spell and write properly and also, how to construct a an idea into an argument.

Saturday, September 15, 2007

Friday, September 14, 2007


I am from a different time and place

I Am From...
different time and place
a place of well-maincured lawns
and expresive perfurmes

Friday night Football games, with trips to
Little Casers' out in the parking lot,
seeking smokes from people in flannel shirts

The smell of stale smoke from a classmates
in the next row, place of stage moms and workholic
dads, crisp Fall afternoons with the sweat of wrestiling
practice.

The long hours of studying and going to practice
and notes from mom, dinner is the fridge,
and blurs of Alternative Rock, especially Nirvana,
from somebody's car stereo.

Finally, graduating, and moving on, and leaving the protective bubble
going a better place.

Wednesday, September 12, 2007

The Read Around: Rasing Writers

The Teaching Strategy
1. Seat the students in a circle--or the nearest approximation. Students should not have their backs to each other. This way they can see each other and be seen as they read. The attention will be focused on the reader.
2. Distribute as many blank strips of papers as there are students in the class. Students write a compliment to each classmate as he/she reads.
3. Students write each reader's name on the paper. So if Vonda volunteers to read her paper first everyone in the class writes Vonda's name or strip. (This is also a way for students to learn their classmates' names.)
4. Tell students they must respond with a positive comment to each writer. Emphasize that by listening and "stealing" what works in their class mates' writing, they will improve their own. Write a list of ways to respond on the board.
The class should free from the traditional rows of desks and able to see the teacher and other classmates' while writing and proofing each other's papers.

Receptivity

"The Writer has to achieve a passive alertness--perhaps the hunter waiting in the duck blind, perhaps the lover waiting for a marriage proposal, perhaps the state trooper hidden just over the rise in the turnpike."
"Robert Frost talked of writing topics being like burrs that stick to you when you walk through a field."
The writer must able to see the another point of view when writing with a pause that expects a sudden action.
The ideas should able to stick with you, as you are writing and not forget them when writing your final draft.

Murray Chapter 2

"Beginning writers make the mistake of looking for ideas before beginning to write. They must welcome the hint, the clue, become suspicious of developed ideas, even fear the idea that is so complete--so authoritative--it does not allow surprise." Murray Chapter 2 p.28
Sometimes student writers worry about the mistakes rather the process. Learn to create they own voice through practice and hard work. Also, give up some control of their own and be free to write without prejudice of their mind and not worry about their classmates concerns.